Through a thoughtful conversation, Miranda Otto delves on subjects as varied as her newest character as a regal sea creature to the invaluable wisdom learned through onstage mishaps and fan interactions.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would it be and why?
Straight away, that particular fish residing near a specific shoreline – since it is like an institution, and individuals visit to see it. I just think as remarkable that there’s a local fish that folks genuinely seek out and talk about – it’s a special fish.
Which movie do you always return to, and why?
The 1942 film To Be Or Not To Be. I adore this film. During my growing up, it used to come on television occasionally, and once I videotaped it. I just thought it was hilarious. It stars the legendary Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and I discovered that it was also the favourite film of an acquaintance, and so we attended and simply chuckled and laughed. It’s such masterful work of comedy and all the actors in it are fantastic. The director Mel Brooks remade it in the 1980s – which was not as effective. But Lubitsch's version is a brilliant comedy, worth viewing regularly.
What is the most valuable lesson you learned from someone a colleague?
I was doing A Doll’s House with Pete – my husband now, but back then we were not together. We were playing opposite each other and during the premiere I stumbled – I jumped ahead a few lines in the script. I didn’t know of my error but I suddenly realised something wasn’t right. I recall looking at him, and he expertly rescued the moment, and then the scene regained momentum and proceeded splendidly. However, I believe the insight gained then was, firstly, always trust the individuals you’re working with. When you lose where you are, if you turn around and toward the people you’re with, you will find where you’re meant to be somehow. It is a profoundly collaborative endeavor, acting on stage. And secondly, just to have a lighthearted attitude regarding it. Occasionally when a mistake occurs, things can ignite in a really great direction if you’re fully engaged in that moment. It may become an unexpected boon when things go absolutely the wrong way.
Can you describe your most touching encounter with a fan?
It’s not a single specific meeting but when I encounter devotees of Lord of the Rings, particularly women, I hear a lot of stories about what Eowyn impacted them when they were younger … events that occurred in their lives and how much that character signified for them and was some kind of help to them during those periods.
Which questions get asked most frequently by Lord of the Rings fans?
The most detailed inquiry concerns invariably regarding that infamous meal her character prepares for Aragorn. “Was the stew really that bad?” It’s become such a joke, the entire episode about the stew, and everyone wants to know what was in the stew, and its preparation method, and in your opinion her skills improved now, or do you believe she really is a bad cook? Fans seem, in my view, obsessed with the comedy of that situation. And I provide lengthy descriptions listing the ingredients that constituted the stew – because I remember the efforts made; like they even adding pieces of red cotton to make it look like blood vessels in the meat. They went to great detail to make it look as unappetizing as they could.
What was your most embarrassing celebrity encounter?
I attended a pilates class and another participant on a mat doing pilates, and the instructor said to me, “Oh, Miranda, this is Miranda.” And I made a lighthearted remark about, “might you be a journalist?” Since Miranda is an unusual name and most of the time when I meet another Miranda, they work in media. I hadn't properly identified her. And as she rose, it was Miranda Richardson. At that point, I was at a loss for words. I was obliged to complete my class, and I experienced intense awkwardness. I wished to explain: “Goodness, I do know your work!” I consider her talent is immense and I was just too starstruck to utter a syllable.
Articles have confidently claimed that you were named after Prospero’s daughter in Shakespeare’s The Tempest, and yet you've mentioned you saying otherwise – can you clarify this definitively?
Yes – I was named after a district in Sydney. Mum heard on the radio that they were opening a shopping centre at that location, and the name seemed a nice name.
What’s the most chaotic thing that’s ever happened on set?
While working in Brazil on Reaching for the Moon I experienced the most chaotic set I’ve ever worked on, and yet the film emerged brilliantly. But they just work in such a different way. Their concept of time there is unique. In Australia, you receive a schedule and must arrive on set by a certain time. But this was rather flexible – you come on set whenever you happen to be ready. It was a novel way of working for me. All aspects were all coming together at the final moment, and at times they wouldn’t know the next location or how we were going to do it. And then I would be in during a scene and be like, “What caused that sound that just interrupted the scene? Ah, it was the producer opening some champagne during filming, to start a party.” The result was great, but goodness, it’s a distinct style of film-making.
What are you secretly good at?
I naturally possess an aptitude for numbers. I memorise numbers easier than I learn dialogue a lot of the time, I’ve just got a numerically-oriented mind. So I believe if I hadn’t ended up in acting, I likely might have entered a field something to do with numbers, like math or finance.
What’s the best piece of advice you have ever received?
During my time in secondary school, someone came to speak when we were graduating and they said, “don’t be afraid to fail” … an idea I consider is the best piece of advice, because you learn so much more from setbacks than is gained from success. Success, one rarely comprehends exactly how it happened. Failure, you learn abundant.